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Godzilla: King of the Monsters

  The Year is 2019. The Avengers have won. DC is almost nowhere to be seen and the Dark Universal Monsters Universe has hopefully been lost somewhere in the black sea. Wait... What is that? Is that a monster movie?? Is that Japans great lizard/Americanised cousin? Yes. Yes it is and he's here to show the world what he's made of! While first reading this you'll most likely be saying 'Wait. stop. Isn't that the Godzilla movie which critics are panning and hasn't scraped the box office??? Well on a technical level you'd be right, but sit right there and let me riff a little here; Godzilla: King of the monsters takes a giant radioactive step from the world of 2014's first outing for the new Godzilla and actually shows more than 8 minutes (No really go back and see just how much he's in the film...) of the big green not referring to Mark Ruffalo but japan's own green wrecking machine. Godzilla is king. Especially in terms of monster brawls and I can
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Shazam!

Faster than a speeding locomotive, than a speeding bullet and yes, fastly becoming a refreshingly fun forward step into the light for the DC universe. Thanks a good deal to Zachary Levi and his whimsical childlike wonder approach to being thrust into the world of heroism, and a large part also to the younger cast helping him flourish. Shazam! Brings while nothing greatly new to the landscape, something almost bizarrely new to the DCEU... humour, wonder and a sheer entertainment focused driven roll through another side of the usually bleak universe! While yes some lore plods along at the start, the momentum moves quickly as Billy Batson, split from his mother at a young age is desperate to find the family he lost. Along the path he finds himself passed from foster home to foster home, dealing with the usual troubles of coming of age(which is very much the overall tone of the film) one such incident leads him to a dashing escape and somehow lands him in the dark and mysterious cave of th

DUNKIRK

Christopher Nolan is back. Cinematography's dark knight feels well at home with the gritty and grim setting that is the beaches of Dunkirk. Historically tuned to tell us the story of an army in despair abandoning the continent already aflame to war as the German army pushes both the English and the french towards the sea. This film isn't about one central character but the character of the soldier who still fights when winning is no longer an option but survival is very much the morale and more crucial victory. From the films opening moments of unsettling silence on a french street to the windswept harsh cold of a dull beached out collection of sullen faced men the tone is deafening of defeat, and yet a film so full of despair it's clear the message of the film is very much hope. From the valiant efforts of a three man RAF patrol running low on fuel who'll do whatever it takes to stand where they still can, a group of civilian requisitioned boats sent to the jaws of wa

The Great Gatsby

Baz Luhrmann is back and proving yet again that there is no one else like him for pushing the stars of modern cinema to the forefront of blinding lights, musical extravaganzas and glamorous set pieces. Nick Carraway begins our journey as he reflects on the lavish story of Jay Gatsby a man who pulls Nick into a world he'd never imagined he'd ever see. While the ridiculously expensive parties and foaming champagne hide Gatsby away, Nick finds himself slowly accommodating to his new quaint home next to the mysterious billionaire but his life begins to follow en suite when he realizes that everyone in this world is lavish and over the top. From his cousin Daisy, to her polo-famous husband Tom Buchanan and his Mistress to the seductive Jordan Baker, it seems everyone in the world he's adsorbed into is beyond the board and hides the truth behind layers and layers of secrets. The king of secrets arrives however when an invitation arrives from a Jay Gatsby to one of his grand scale

Oblivion

Cruise is back doing what comes naturally. No, not impossible missions, this time round Cruise is back on Sci-fi but instead of running from crimes he already commit in the future(How long has it been now since minority report?) he finds himself the maintenance man of a post-apocalyptic earth in 2077. Jack Harper is technician #49 of a group specifically tasked with keeping Earth's remaining defences up and running, alongside partner Victoria he awaits the coming full transportation to the new human colony on Titan. Being one of the last to leave Earth, both are anxious about the final few days of maintenance before they can finally leave the blue planet behind them, though for different reasons. While Victoria is increasingly eager to start a new life, something digs at Jack who still relates some connection to the planet no matter how void of life. It's only after a crashed pod brings an echo of human life back to earth that Jack and Victoria are torn in their views, as Jack

Oz the Great and Powerful

Not the first trip back to Oz but the most well announced arrival of the wizard who happens to look best in green. Oz the great and powerful is the film which tells the story of a petty conman travelling as a small time magician, who finds himself transported to the world Oz via a tornado collision. After a crash landing, the conman finds himself face to face with Theodora herself a witch, who believes the man in front of her is none over than the prophesied wizard who will save them from the wicked and dark forces lurking in the shadows. Promised all the gold in the fabled Emerald City, Oz sets about on a journey up the yellow brick road, though when it comes to sitting the throne Thedora's sister Evenora informs the would be wizard that if he really wants the throne, he'll have to defeat the wicked witch. With greed in abundance, Oz sets out to earn his gold but along the way both the companions he makes and the trials he faces shape him into something that resembles the wiza

The Last Stand

As the border of Mexico becomes the target of the unsavy bunch of new comers to town up to a suspicious deal of whispers and murdering, all the way in Las Vegas an FBI operation to transport drug cartel boss Gabriel Cortez goes horribly wrong and sees him speeding his way into the sunset at the helm of a supped up Chevrolet Corvette. Meanwhile,  Arnold Schwarzenegger stars as Sheriff Ray Owens the man at the centre of the small rural town of Sommerton, though he hasn't always been the quaint local sheriff. With a past in the high octane life of an LAPD officer, Sheriff Owens finds some of his former type of customers speeding his way towards Sommerton and organising a welcoming party in the way only Arnie could, a large hail storm of bullets and a side dish of ceremonious explosions followed promptly by some back breaking physical strikes. Sheriff Owens rallies his deputies, makes a stand and awaits the speeding bullet and you can be sure the Sheriff is out to really show who's