Screen Noir

As far as video game movies go, Resident Evil has never really been at the top of that list. We start off where Afterlife ended, with Alice and co under attack from a newly replenished force of Umbrella Corporation goons and what tries to be a stylish use of filming techniques coupled with a tedious ten minute flashback of the previous films. Captured by umbrella, Alice awakens in yet another science lab full of nasties but this time she finds replicas of time square, the Kremlin and segments of suburbia which have been used to test the virus on live subjects welcoming her on her escape. Led by the mysterious Ada Wong and a now friendly Wesker, Alice has to make her way through the submerged Umbrella base, fight fields of zombies, horrific Lickers and even face of against her brainwashed bestie in order to make it out alive. Elsewhere in the facility another group also led by Wesker attempts to find and rescue Alice, will any of them survive another dance with the evil, newly resurrect

Life is a loop. For Loopers when the loop finally closes, it's a cause for celebration but for their future selves 30 years away it means game over. A Looper kills whoever appears in front of them and eventually that means themselves, sent back through time by mobsters as in 2074 bodies are to hard to get rid of its an easy buck for an average kind of killer. Joe a Looper from 2044 finds his faith in the job wavering when his friend Seth let's his loop run(letting his older self escape) and he hands him in to keep his stash of silver. Though when a spree of loops start closing in quick succession Joe finds himself face to face with himself, overpowered by his future self his loop runs. Present Joe sets out to close his loop and save his life while future Joe wants to stop the villainous future Rainmaker who causes a world wide spread of chaos. Present Joe soon realizes he'll do anything to keep his life while his other self has the same revelation selfshness and desperation

For a film so quiet in procedure the presentation is pretty damn loud giving us an American crime thriller the likes that hasn't been done so low key yet intensely gripping in a long while. When a high-stakes poker game is robbed by two armed gunmen, Jackie Cogan is sent to clean up the mess and find out who's responsible. While the thieves Frankie and Russell are celebrating their achievements unaware of Cogan's presence and the holder of the game, Markie Trattman's who previously robbed one of his own games violent encounter. Soon Frankie realizes the situation he's gotten himself into, the serious rate of return those he robbed want and aware that time is running short for him and everyone else involved. What seems like at first a dream way out of a poor and shady life changes into a tragic demise as Cogan himself sets out to even the score. With thieves, killers and contacted hit-men all out to in full force, the key thing for all of them is the fact that it'

The Bondurant Boys a bootlegging trio are the answer to many prayers in a depression-era Virginia carting around their own moonshine produce during prohibition. While not as business orientated as his two brothers, Jack Bondurant aims to make a name for himself and outshine even his legendary brother Forest. But the bootlegging suddenly becomes more difficult when a new deputy comes into town, Charlie Rakes is obsessed with catching the brothers out and bringing their illegal escapades to a grinding halt. Never being ones to just bow down to the law the Bondurant boys especially Jack, takes defiance to a new level when opposing Rakes and his reign of harsh and violent justice. Taking center stage is Shia LaBeouf and while a quieted down role for once in comparison to his other onscreen performances, his boyish arrogance which seems to always be lulling around suits the youngest Bondurant, Jack to a tee. While also fitting with his usual rules Hardy gives a muscled man hidden behind